"Music is so healing: it’s a connector that brings us all together"
When Caryn Moczynski graduated college with a Psychology degree, she didn't envision herself with a career as one of the longest running local radio DJs in Milwaukee.
Her weekly program 'Female Focus' airs on WMSE Radio 91.7FM on Sunday nights from 10:30pm to 12am. WMSE has been a providing diverse music programming in Southeastern Wisconsin since 1981. ‘Female Focus’ features female artists across the music spectrum, across the decades, and across all genres, including local and international artists.
Before joining WMSE, Caryn dedicated 25 years to a career in the Disability Services space, working for Milwaukee County and the State of Wisconsin. Her work supported individuals across a wide spectrum of needs, from supporting transitioning youth to assisting the elderly.
Although radio wasn’t initially part of her career plan, her deep-rooted passion for music and community ultimately guided her toward an unexpected career path.
The radio star
Caryn's love for music took root early, sparked by a simple gift from her father—a transistor radio with an ear-piece and a 9-volt battery.
It tuned into local station WOKY, known then for its eclectic mix of genres. From the moment she started listening, she was hooked.
A lifelong Wisconsinite, Caryn spent her earliest years in the Bay View neighborhood—"before it was cool," she joked. Back then, it was a community of older homes and long-established families, which Caryn fondly recalls as a great place to grow up.
Raised by loving Catholic parents who regularly attended church, Caryn describes her upbringing as grounded and full of care.
The family later moved to Oak Creek, where Caryn spent most of her childhood. In the 1970s and 80s, it was a quiet, rural town with strong farming roots.
For a curious and adventurous kid like Caryn, it was the perfect backdrop—filled with creeks, woods, and endless opportunities for tomboy-style exploration.
Music was a constant in the household. Caryn is grateful to have grown up in a family of music lovers, where the stereo was always on and discovering new records was often a shared family outing.
Birthday and Christmas money frequently went toward new albums, and in classic little-sister fashion, Caryn was known to "borrow" her older brother’s records—sometimes permanently.
As she grew, so did her musical taste. Caryn counts herself lucky to have come of age during a time when groundbreaking women like Patti Smith, Heart, Olivia Newton-John, and Carole King were making waves in music.
“There was so much going on for women in music,” she reflected.
Still, she noticed something missing—female voices were rarely heard on the radio, and almost never back-to-back. Despite the rise of women in the industry, the airwaves remained dominated by male artists, a contrast that stuck with her even then.
A whole new world
Caryn’s time at UW-Milwaukee was a turning point—where her world truly began to open up.
Though she was engaged to a man at the time, the college experience exposed her to new people, perspectives, and possibilities she hadn’t previously imagined.
Surrounded by a diverse mix of students from all over the world, Caryn’s social circle expanded rapidly. It was during this period that she began meeting queer people.
“As someone who hadn’t yet discovered my own queer identity, I found them to be super cool, kind, and interesting," said Caryn.
One day, while attending a student fair at the union, Caryn noticed a table filled with flyers promoting what was essentially the LGBTQ student group. So, she picked up a brochure.
“I had no idea there was a community in Milwaukee where you could meet others, build real connections, and be yourself—safely and openly.”
She felt an undeniable pull to the table, circling past it several times before finally stopping to engage.
Caryn admits she was probably still in a bit of denial at that point in her life, but that moment was pivotal.
That student group—just a few people sitting behind a table with information—became a doorway to a new understanding: life didn’t have to follow a script of marriage, children, and a white picket fence.
"I had never seen anything like that before,” she said. “I was surrounded by groovy, authentic people living openly—it was a catalyst, and I’m forever grateful to them.”
Looking back, Caryn reflects that she had long seen herself simply as a feminist with tomboy tendencies.
It wasn’t until college, with its mix of new experiences and inspiring individuals, that her eyes truly opened. Seeing bold, unapologetic queer women living on their own terms gave her the clarity she needed to begin embracing her own truth.
“There are other bars like this...”
Caryn’s deeper dive into Milwaukee’s queer community began with a spontaneous night out with one of her best friends, Mike, a closeted gay man at the time.
“It started like a classic Milwaukee night,” she recalled. “We were at Conejito’s drinking margaritas and wanted to go dancing.”
That’s when Mike suggested heading to La Cage, a well-known gay bar. Caryn was all in. What she found there was an energetic, welcoming crowd—fun, kind, vibrant people who made her feel instantly at home.
After a night of dancing and connection, Mike turned to her and said, “You know, there are other bars like this…”
From that moment, Caryn made it a point to support as many queer spaces as she could. She frequented legendary spots like La Cage, Fannies, Nitengales, Kathy’s Nut Hut, The Alternative, M&M Club, This Is It, Jet’s Place, Woody's, Club 219, and more.
At the time, bars were the heart of queer culture—a place to meet, celebrate, and build community.
“Everything happened in bars,” Caryn said. “The gays knew where it was at and knew how to support each other.”
There were always benefits and events, always someone showing up for someone else. It was a tight-knit scene that offered safety, joy, music, and dancing—and Caryn was all in.
Giving back and being part of that energy became a big part of her life.
Her connection to the community deepened after attending her first pride festival, MAPfest (Milwaukee AIDS Project Fest) in Walker's Point.
The energy, the solidarity, and the presence of women living out loud stirred something in her. Pride was gaining momentum, and Caryn found herself itching for change—ready to shake up her own life.
Travel only fueled that fire. Trips to places like California and Florida gave her a glimpse into what queer life looked like outside the Midwest. In Florida, she’d pick up small magazines that listed queer-friendly beaches and events. In California, she found vibrant, visible queer communities.
“What I saw,” she said, “was just people living their lives. It took seeing others living openly and joyfully for me to realize—this is the time.”
That visibility, that freedom, gave her the courage to step into her own truth and start living authentically.
Coming out: "scorched earth" style
A few years into college, Caryn met her first girlfriend, and the two moved in together.
When it came time to come out, Caryn did it in true rock 'n' roll fashion—by simply showing up places with her girlfriend, no grand announcements or warnings.
With her already-busy social life, word spread fast, and her coming out felt natural and organic.
“I decided to just go for it,” Caryn said. “Scorched earth. Tell everyone at once and let the chips fall where they may.”
At the time, she was spending a lot of time with her best friend Mike, and people often assumed they were a couple—something Caryn found hilarious since, in her words, they were both clearly queer.
When people asked if she was gay, she owned it with confidence and tried to approach it with openness.
“I’m still me,” she’d say, encouraging others not to make it a big deal.
While she knew from friends’ experiences that coming out could be traumatic and even dangerous, she felt a strong urge to kick the door down and live her truth.
Though coming out can strain or even sever relationships, Caryn considers herself incredibly fortunate. She only lost a couple of friends and was met with love and support from most people in her life. She acknowledges a few overly opinionated relatives who didn’t agree, but she shrugs them off.
“I just don’t care,” she said. “If someone doesn’t want to be in my life because I’m with a woman, then they never wanted the whole me to begin with.”
In fact, she feels the rise of bigotry in recent years has made things more difficult now than when she first came out.
One of the most meaningful moments in Caryn’s journey came when she shared her truth with her brother, Jeff. The two were incredibly close, especially bonded through their shared love of music.
“He was one of the first people I told, and he literally just said, ‘Oh, that’s cool,’ and gave me a hug.”
Caryn described him as a giant supporter, a best friend, and one of her greatest blessings. When she married her wife Danae, Jeff was her biggest cheerleader.
Jeff passed away in 2021 from cancer at just 58.
A tough-as-nails military veteran with 26 years of service, Caryn remembers him as “one of the most awesome, cool, welcoming people you could ever meet.” His support gave her the confidence to keep being open with others—and she’ll always carry that gift with her.
As for facing discrimination, Caryn says her experiences were relatively limited.
She remembers occasional troublemakers showing up at Fannies, but bar owner Sharon Dixon didn’t tolerate any nonsense.
“She shut that shit down immediately,” Caryn recalled.
There were stories of people being attacked or robbed late at night, but more often than not, the queer community looked out for one another.
Caryn feels grateful that she avoided most of the darker moments and believes Milwaukee has always had a strong, supportive LGBTQ community.
“It’s always felt like a welcoming place,” she said—and for Caryn, that sense of belonging made all the difference.
Formative musical influences
Following the spark ignited by the groundbreaking women of '70s music, Caryn dove headfirst into a lifelong exploration of sound—especially women’s music. Each decade brought new voices, new energy, and new reasons to fall in love with music all over again.
Her fascination began young, when she first saw Patti Smith on a record cover.
As a kid, she remembered thinking, “Oh my gosh, what is going on there?”
Patti wasn’t just a musician—she was a poet, a force, and a rule-breaker.
“She defied definition,” Caryn said. “She didn’t fit into any box. She was pure rock ‘n’ roll, and totally her own person.”
That moment left an impression.
But it was Joan Jett who truly lit the fire.
When Caryn heard “I Love Rock ‘n’ Roll” on the radio for the first time, it was a lightning bolt moment. The gritty guitar, Joan’s fearless vocals—Caryn was instantly hooked. Then she saw a photo of Joan Jett, bold and beautiful, playing a Gibson electric guitar, and everything changed.
“There just weren’t a lot of women doing that at the time,” she recalled.
That image and that sound pushed Caryn to buy her first guitar with money saved from her first job. Joan became more than an idol—she was a mentor in spirit, a catalyst who showed Caryn what was possible.
As the '80s rolled in, Caryn found herself drawn to new wave and pop icons like Madonna, who carved her own path in a completely different way.
At the same time, a little band called the Indigo Girls was beginning to make waves.
For Caryn, they were more than just incredible musicians—they were activists, allies, and unwavering champions of the LGBTQ community. Their music, message, and presence resonated deeply.
And then came Melissa Etheridge.
“Everyone knew she was queer,” Caryn said. “She was bold and unapologetic, and brought something totally different to the table.”
Etheridge’s openness was refreshing and powerful, especially during a time when many artists still felt the need to hide their identities.
One of the musical movements Caryn feels most lucky to have witnessed firsthand was Lilith Fair. This groundbreaking, all-women touring music festival ran from 1997 to 1999 and was founded by Sarah McLachlan and others.
“It was huge,” Caryn said. “Financially successful, yes—but more importantly, it was this massive celebration of female artistry.”
She especially loved the side stages at each stop, curated to spotlight up-and-coming local artists. McLachlan would put out calls for submissions, giving lesser-known musicians a chance to perform, build an audience, and sell their own merch.
“It was such a special time,” Caryn reflected.
Around the same time, the Riot Grrrl movement was roaring to life, bringing punk energy and political fire with it. Bands like Sleater-Kinney and Bikini Kill channeled rebellion and feminist rage into music that didn’t ask permission.
“They weren’t waiting for the industry to make space for them,” Caryn said. “They did it on their own terms—grassroots, raw, and real.”
It was music as resistance, and it fueled a cultural shift Caryn was thrilled to be a part of.
From Patti Smith’s poetry to Joan Jett’s swagger, from Lilith Fair’s harmonies to Riot Grrrl’s roar, Caryn found not just inspiration—but a sense of belonging, purpose, and permission to be herself through music.
Radio career
Caryn found a powerful way to transform her lifelong love of music into a career—one that was deeply rooted in community, passion, and purpose.
It all began when a close friend, a DJ at WMSE 91.7 FM—Milwaukee’s beloved community-powered radio station—announced she was moving out of state.
Before leaving, she paid Caryn an unforgettable compliment: “There’s no one better to take over my show, Female Focus, than you.”
That encouragement sparked something. Caryn met with the station manager, and their conversation was everything she hoped for—fluid, inspiring, and full of alignment.
Before long, Caryn stepped behind the mic and stepped into her new role as a radio DJ. It was a dream she hadn’t even known she had.
Growing up, Caryn had been used to commercial radio—tightly curated playlists, a single genre per station, and maybe, if you were lucky, the chance to call in a request.
But WMSE was a different world entirely. Here, DJs were trusted to curate their own shows, select their own music, and be the creative force behind their airtime. There was freedom and intention in every playlist.
And with Female Focus, Caryn got to do something bold and deeply personal: shine a spotlight on incredible women artists across all genres—rock, hip hop, R&B, classical, blues, prog, and beyond.
“Who knew there could be a show that says, ‘Hey, let’s play 90 minutes of back-to-back women in music, and let’s cover every genre while we’re at it,’” Caryn said.
“That just wasn’t something I realized existed until I saw it up close.”
What Caryn loves most is the authenticity. Every DJ at WMSE is essentially their own producer—on-air personality, curator, storyteller.
And that connection to the audience? It’s real. She cherishes the calls from listeners requesting songs, and she plays them whenever she can—“99.9% of the time,” she says.
With the show streaming online, her reach now extends well beyond Milwaukee—she’s even had listeners from Australia tune in and call to make requests.
The community around the station is just as special. It’s a diverse, passionate group of people—DJs, producers, listeners—who all deeply value music and its power to connect and heal. There’s a shared sense of mission: to uplift local artists, celebrate creativity, and keep the heart of the community beating with sound.
“Music is so healing,” Caryn said. “And we need that now more than ever.”
Through her work in radio, Caryn’s path has led her to meet some of her musical heroes—queer icons who helped shape her journey.
She got to meet Melissa Etheridge, whom she described as “really cool and really groovy,” and share a laid-back lunch with Amy Ray of The Indigo Girls.
“We just hung out and talked about stuff,” Caryn said.
While she had interviewed Amy several times on-air, this was different—this was a moment of connection, of recognition, of kinship.
“It was so cool,” Caryn said. “To sit with this icon, this queer elder, who’s on our side and truly gets it—it meant the world.”
Caryn describes the past few decades as absolutely pivotal for women in music—laying the groundwork for the vibrant, boundary-pushing artists we see thriving today.
The evolution has been nothing short of electric, leading to a powerful blend of legacy acts and rising stars sharing the spotlight.
“It’s amazing,” Caryn said, “to live in a time where you can see legends like Heart and Joan Jett still rocking the stage, while new trailblazers like Chappell Roan are lighting it up in their own unapologetic way.”
Caryn jokes (but also means it) that Joan Jett will die onstage, fully committed to her craft, never slowing down. And she sees in Chappell Roan a fiery new voice that refuses to dim her light.
“She’s out here disrupting, saying she won’t tone it down for anyone, no matter what the political climate is. That’s powerful.”
She also celebrates global icons like Lady Gaga, who have used their stardom as a platform for advocacy and inclusion.
International acts are part of this new wave too. Caryn points to Florence and the Machine as a shining example of queer-inclusive artistry that resonates across borders.
“Every time they come to the U.S., they sell out,” she said. “A Florence concert is like a spiritual experience—soaring, emotional, absolutely affirming. Florence herself is a radiant soul and brilliant human being.”
For Caryn, this moment in music feels rich with possibility.
“We’re in a time of abundance,” she said. “There’s so much great music being made—especially by queer artists who are stepping forward, being bold, and finding their audience."
"It’s inspiring to witness and even more thrilling to be a part of it.”
Caryn today
Caryn is happily married, and she and her wife Danae have been together for 28 years—longer than some of the young queer folks she mentors have even been alive.
“Longevity in queer relationships matters,” she says. “Especially now, when queer marriage is being questioned again, people need to see that it’s not only possible, but beautiful—even in this climate.”
She laughs that she was “born in the 1900s,” and finds it both funny and profound to now be in a position where younger generations are looking to her as an example.
Their love story began, fittingly, at an Indigo Girls concert in Milwaukee. Caryn was there with someone else at the time, but when she spotted Danae, she took notice and soon, a new relationship was blossoming.
She mused, “Does it get more cliché than meeting your future wife at an Indigo Girls show?”
Still, it was the start of something lasting and extraordinary.
They currently live in West Allis with their six rescue pugs and continue to pour their energy into causes they care about.
One of those causes is Courage MKE, an LGBTQ youth support organization. Caryn and Danae were hands-on in helping with the original Courage House and later contributed to renovating the organization’s new apartment units.
“It’s powerful to witness a community come together to support queer youth and give them safety,” Caryn said. “I’d never seen something like that on such a scale before.”
Her life goal is simple and sincere: to be a good citizen and do good in the world.
Their passion for pugs runs deep—so much so that they’ve become known as “the pug ladies,” a bit like the pug version of crazy cat ladies.
Danae, an artist, contributes her design skills to support various rescues, helping raise funds through t-shirts and merch. The pugs they take in often come from rough backgrounds, but Caryn and Danae are committed to giving them love and care.
“There’s a whole legion of lesbians in animal rescue,” Caryn said with a grin. “We show up, and we get it done.”
When asked to list her top five most influential artists, Caryn doesn’t hesitate: Joan Jett, The Indigo Girls, Madonna, Florence and the Machine, and Patti Smith. She tacked on Melissa Etheridge for good measure, joking, “You can probably guess my age based on that list.”
Caryn also has her own musical chops and brings a rock n’ roll energy to the stage when she performs.
She’s often invited to jam with local musicians, including her friend Gabriel Sanchez from The Prince Experience.
Though she’s been asked to join bands countless times, she says the timing hasn’t been quite right. For now, she enjoys the occasional set, playing crowd-pleasers like 4 Non Blondes, Melissa Etheridge, The Indigo Girls, and even Annie’s Song by John Denver.
“It’s mostly rock with a folk twist,” she said.
“And even if I’m the only lesbian in the bar, music is a great connector and brings everyone together.”
As a DJ at WMSE, Caryn relishes the creative freedom.
“Each DJ gets to be their own producer,” she said. “You choose what your show looks and sounds like.”
She’s deeply committed to showcasing queer artists and uplifting underrepresented talent.
“There’s so much richness and diversity in music,” she said. “It’s an incredible thing to be part of.”
Caryn feels grateful to be godparents to some great young people, and when she reflected on the advice she’d give to her younger self—or to any young queer person—she’s thoughtful.
“Live authentically - that will lead to your best life.”
She encourages young people not to get bogged down in the negativity of social media.
“Find your community. We are lucky to have strong ones here in Milwaukee—with PrideFest, the parade, and so many safe spaces. You’ve just got to look for them.”
Her final bit of advice is simple but heartfelt.
“Be kind. I know it sounds cliché, but kindness matters. Find the elders in your community—they want to help. Let them.”
The concept for this web site was envisioned by Don Schwamb in 2003. Over the next 15 years, he was the sole researcher, programmer and primary contributor.
If you would like to contribute as a blog writer please contact us.
recent blog posts
April 22, 2025 | Michail Takach
April 21, 2025 | Michail Takach
April 06, 2025 | Michail Takach
Camille Farrington & Vicki Shaffer: standing up for students
The concept for this web site was envisioned by Don Schwamb in 2003, and over the next 15 years, he was the sole researcher, programmer and primary contributor, bearing all costs for hosting the web site personally.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
© 2025 Wisconsin LGBTQ History Project. All Rights Reserved.